MIZU New York, New York
From gossamer harmonic textures to lush orchestral washes, MIZU builds expansive soundscapes through her singular cello
playing. Her signature stratiform style of composition, melding self-recorded layers of her instrument with electronic manipulation and experimental production, explores themes of transformation and the infinite possibilities within queerness.
Portrait by Honglin Cai.
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 28 fans who also own “Pump”
Mimi was so unbelievably amazing. More is a perfect track in a flawless album.
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supported by 27 fans who also own “Pump”
Dearest Arooj, firstly thank you. My brother died this year n what can be said about such loss n sadness. I saw n heard you at The end of the Road in England. I spent many years in India n love all the music, poetry of your heritage. Thankyou Arooj❤️
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The latest from the ambient classical composer is full of kaleidoscopic soundscapes that are joyfully danceable and optimistic.
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Therapy
by Brendan Eder Ensemble
L.A. composer Brendan Eder asks the question: what would Aphex Twin do with a chamber ensemble?
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From Dutch producer Yannick Verhoeven comes this excellent album full of stiff-limbed coldwave that recalls the best of the early ’80s.
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supported by 27 fans who also own “Pump”
"The paradox of an infinite string of unique moments informing the repetitive nature of being. The Unification of Inner and Outer Life as the last track’s title suggests? That’s probably impossible. But this album might help getting closer to that goal. Music triggering the weight and scale of the human experience." my review on Veil of Sound: https://veilofsound.com/2024/02/26/Kali_Malone-All_Life_long.html
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